Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Pieter Janssens Elinga
Woman Reading_l

ID: 01126

Pieter Janssens Elinga Woman Reading_l
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Pieter Janssens Elinga Woman Reading_l


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Pieter Janssens Elinga

1623-1682 Dutch Pieter Janssens Elinga Locations   Related Paintings of Pieter Janssens Elinga :. | The lane of the Machine by Alfred Sisley in 1873 | Cows in a Redwood Glade (mk42) | Painting of the Battle of Ourique (1139) by Domingos Sequeira | The Nubian Giraffe | Beautiful europe woman |
Related Artists:
Prats, Santiago Rusinol
Spanish, 1861-1931
Pierre-Antoine Baudouin
French Painter, 1723-1769 French painter. A pupil of Francois Boucher, whose younger daughter he married in 1758, he specialized in miniatures painted in gouache, which he first exhibited at the Salon of 1761. He was received as a member of the Acad?mie Royale in 1763 with a small gouache of a historical subject, Phryne Accused of Impiety before the Areopagite (Paris, Louvre), and he later painted illustrations of biblical episodes. However, he made his name as a painter of libertine scenes in contemporary settings, which he exhibited regularly at the Salon from 1763 until 1769. Some of his work is directly inspired by Boucher's scenes of pastoral love, but the ostensibly moral themes and careful attention to detail of such paintings as the Modest Model (exh. Salon 1769; Washington, DC, N.G.A.) demonstrate that he was also influenced by Jean-Baptiste Greuze. His pictures were condemned for their immorality, both by the Archbishop of Paris, who in 1763 and 1765 ordered that works by Baudouin be withdrawn from the Salon, and also by Denis Diderot and other critics who accused him of pandering to the decadent taste of his patrons. Nevertheless, Baudouin was one of the most popular artists of the last decades of the ancien regime.
LIEVENS, Jan
Dutch painter (b. 1607, Leiden, d. 1674, Amsterdam) Dutch painter, draughtsman and printmaker. His work has often suffered by comparison with that of Rembrandt, with whom he was closely associated from 1625 to 1631. Yet Lievens's early work is equal to that of Rembrandt, although in later years he turned more towards a somewhat facile rendering of the international Baroque style favoured by his noble patrons, thus never fully realizing his early promise. Nonetheless, he became a renowned portrait painter and draughtsman, and his drawings






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